Category Archives: Review

Maroon Five ‘One More Night’ Song Review

Read my review of ‘One More Night,’ the second single from Maroon 5’s new album.

The song is erected on a thumped out (and looped) beat, in addition to Levine’s signature falsetto, where he tosses off lyrics about not getting along with (or being able to untangle himself from) his lady love. Levine is hoping he only stays with her just “one more night.” Ouch. Was this song penned when things started going south with his ex, model Anne V?

Read the rest of my review of ‘One More Night’ over at PopCrush.

Justin Bieber ‘As Long As You Love Me’ Song Review

Read my review of Justin Bieber’s ‘As Long As You Love Me.’

It is an exercise in Bieberized dubstep and it’s another sizzling, clubby romp, with lots of vocal processing and a more adult lyrical theme. The Biebs declares his love, cooing, “We could be starving / We could be homeless / We could be broke / As long as you love me / I’ll be your platinum / I’ll be your silver / I’ll be your gold.” Those are some big words there, which may cause some to wonder about the precious metals he mentions.

Read the rest of my Justin Bieber ‘As Long As You Love Me’ review over at PopCrush.

Casey Abrams ‘Get Out’ Song Review

Read my review of the new track from Casey Abrams, ‘Get Out.’

On ‘Get Out,’ Abrams is singing over an acoustic riff and handclaps. It’s totally different than the Casey we remember when he was up against the likes of Scotty McCreery and Pia Toscano, covering Nirvana songs in all his scruffy glory. He has cleaned up nice, and his music — at least on this track — has been buffed and polished to a blinding sheen.

Read the rest of my Casey Abrams, ‘Get Out’ review over at PopCrush.

Justin Bieber ‘All Around the World’ Song Review

Read my review of Justin Bieber’s ‘All Around the World.’

If you told us this song was penned for Britney Spears for her last album ‘Femme Fatale,’ we’d ‘Believe’ it, because the computerized style and the thick vocal effects remind us of recent Brit Brit material. It’s safe to say that ‘All Around the World’ is a club banger. And while we love Bieber, it’s not our favorite song on ‘Believe’ so far.

Read the rest of my Justin Bieber ‘All Around the World review over at PopCrush.

Justin Bieber ‘Die in Your Arms’ Song Review

Read my review of Justin Bieber’s ‘Die in Your Arms.’

‘Die in Your Arms’ is a backbeat-driven, mid-tempo, Jackson 5-style tune with a piano melody, handclaps and finger snaps. The track also boasts a universal, timeless appeal. We’ve said it before and we’ll say it again: The Biebs is growing up, mentally and musically, on ‘Believe.’

Read the rest of my review over at PopCrush.

Jennifer Lopez, ‘Goin’ In’ Song Review

Read my review of Jennifer Lopez track, ‘Goin’ In’

The song, which will appear on the soundtrack to ‘Step Up Revolution’) the next film in the dance franchise, which hits theaters on July 27), bumps and grinds. It starts out with J. Lo singing in a bit of a higher range than we expect, since, let’s face it, she’s not a belter. But she gets the job done.

Read the rest of my review over at PopCrush.

P.O.D. ‘Lost in Forever’ Song Review

Read my review of P.O.D.’s latest song, ‘Lost in Forever.’

There’s decidedly less rapping on ‘Lost in Forever,’ which is comprised of a thick stew of riffs, layered harmonies and thunderous percussion. There’s echoed vocals, which are a staple of the P.O.D. sound, but the song is not sterile or clean. There’s a bit of a disortion on the guitars, giving the song an edge.

Read the rest of my review of P.O.D.’s latest song, ‘Lost in Forever’ over at Loudwire.

The Mars Volta, ‘The Malkin Jewel – Song Review

I reviewed the latest song from The Mars Volta, ‘The Malkin Jewel.’

‘The Malkin Jewel’ is just over four minutes of unconventional rock, with an epic coda that features computerized blips and beeps, but the song never embodies that cold, sterile or synthetic “laptop rock” style. ‘The Malkin Jewel’ has a pulse and it brings heat, simply capturing your attention and holding onto it, as you anticipate what the duo behind the instruments will do next.

Read the rest of my review of ‘The Malkin Jewel,’ by The Mars Volta, over at Diffuser.

The Drums, ‘Days’ Song Review

I reviewed the new song, ‘Days’ by the Drums for Diffuser.

‘Days’ reminds us of a movie soundtrack song, like music designer for a montage in an edgy film where there’s an unrequited romance as a key subplot. The song is also percussive, like the band’s name, but it’s not smashing you over the head. The rhythmic pulse serves a different purpose and is as immediate as your own heartbeat. That’s also how intimate the song is.

Read the rest of my review of ‘Days’ and (listen!) by the Drums over at Diffuser.

Garbage, ‘Blood for Poppies’ Song Review

I reviewed the latest song from Garbage, ‘Blood for Poppies.’

It’s been seven (long) years since the band released an album, but judging from ‘Blood for Poppies,’ which is, in fact, poppy, they’ve made it well worth the wait. The song will transport you to that period in the mid’-’90s when Garbage owned alternative radio. Yes, we remember when alt rock radio was surging and Garbage were a huge part of the wave. ‘Blood for Poppies’ will have you feeling all sorts of nostalgic, without making you feel old — and that’s a big difference.

Read the rest of my song review of ‘Blood for Poppies,’ by Garbage, (and listen!) over at Diffuser.